The most influential fantasy cartographer in geofiction is J. John Bunyan's The Pilgrim's Progress (1678) included both "A Mapp Shewing the Order & Causes of Salvation and Damnation" and "The Road from the City of Destruction to the Eternal City." Modern history Ī Map of Robert Louis Stevenson's Treasure Island This map inspired artistic cartographers over the sixteenth century to iterate the original. In 1516, Thomas More published his Utopia accompanied by a map of the island. Dante's Hell has continued to be the subject of fantasy cartographers for centuries. By the late fifteenth century, numerous illustrations inspired by Dante Alighieri's Divine Comedy had been published based on descriptions from the text. Īn early example of cartography created without intending to present a geographical reality is Dante's Hell. Often their maps were crafted as much as works of art as tools for navigating, incorporating imagery and symbolism from mythology, folklore and fantasy stories. Middle ages Ĭartographers of the Middle Ages did not see their profession as purely making accurate representations of geography. The roots of the history of fantasy cartography are shared with the independent histories of both cartography and fantasy as well as the general history of the visualization of ideas. The increased popularity of geofiction and worldbuilding has led to and been supported by the emergence of design programs tailored to creative cartographers. Fantasy maps are created and presented across different media such as books, television shows, movies, video games, tabletop games, and websites and are characterized by aesthetics, themes and styles associated with the world or concept they are portraying. Although typically geographical, cartographic fantasy can include planetary, galactic, and cosmological maps conceptual maps and speculative maps.
Cartographic fantasy has its historic origins in mythology, philosophy, literature and natural sciences. Whilst cartographic fantasy has been popularized by novels of these genres it has also become a standalone hobby and artistic pursuit. Stefan Ekman says that, "a map re-presents what is already there a fictional map is often primary – to create the map means, largely, to create the world of the map." Fantasy cartography usually manifests from worldbuilding and often corresponds to narratives within the fantasy and science fiction genres.
Awdryįantasy cartography, fictional map-making, or geofiction is a type of map design that visually presents an imaginary world or concept, or represents a real-world geography in a fantastic style. Study and creation of maps of imagined places or eventsĪ map of the fictional kingdom of Aredia, which is a generic campaign setting used in role-playing games A Visualization of The Cartographic Process A map of the fictional Island of Sodor from The Railway Series by Rev.
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